Glad it helped.
I've done something wrong or is the correct behaviour and the sequencer have priority on the keyboard?
It look like the "Sequence Transpose" disconnect the keyboard from other things than just transposing a sequence.
This make the "Envelope Shaper" trigger switch settings "Keyboard" and "Both" of no use, when the "Sequence Response" is activated. The "Keyboard" position produce no sound at all, and there seems to be no difference between the "Both" and the "Sequencer" positions.
The Keyboard does'nt trigger anything in the Matrix either.
I don't know, if this is a bug. It look like it to me. But as the recorded sequence is transposed so the deapest note in the sequence is the note played, then it perhaps is done by a keyboard transpose, and thus it can make a keyboard pitch sound wrong unless the lowest note in the recorded sequence is the middle C note, as that note seems to be the root note for the tuning/ transpose.
Anyway i think it would be correct, if one could use both transposed pitch for a sequnce and a corrrect keyboard pitch at the same time.
When the "Sequence Transpose" is deactivated all the "Enveloper Shaper" trigger switchs positions work.
If i understand you correct, then you should not activate the "Sequence Transpose" as it is.
In your case i think you shall set the "Envelope Shaper" to "keyboard" position.
- Now any "OSCs" in the Matrix with a pin in the "Keyboard" and "Sequencer" connections to control the pitch will be triggered by the Sequencer and follow the pitch from a played note on the keyboard.
(Just keep in mind, that in this position the sequence recorded pitch is allways played, when you play the middle C on the keyboard.)- A "OSCs" in the Matrix with a pin in the "Keyboard" will not respond to the Sequencer but to the Keyboard.
- A "OSCs" in the Matrix with a pin in the "Sequencer" will not respond to the Keyboard but to the Sequencer.
- A "OSCs" in the Matrix with no pins to control the pitch will not respond to pitches from either the Keyboard or the Sequencer but like all the other OSCs the pitch can still be controled using the OSCs "Frequency" parameter.
So you can in example have:
- one OSCs where the pitch is controlled by the Sequencer - (and also let the sequence pitch be controlled by the Keyboard, if you wish, as i don't think this is done in the video.)
- one OSCs where the pitch is controlled by the Keyboard
- And one OSCs where you only control the pitch using the OSCs own Frequency parameter.
I think that should cover what you hear in the video, with one instance of Synthi.
I think this is a little complicated to describe. I hope i have done it correct, and that my observtions is correct.
EDIT: Also keep in mind, that you also have the possibilities in the extended section. EDIT END
