First of all, I know BSP doesn't make sounds.
Secondly, I know it doesn't record audio.
Where in my last thread or this one did I say I want the BSP to make sounds or record? Did I say that? No, I didn't. I'm making the sounds on my hardware synthesizers and drum machines, and recording on Ableton Live. How exactly did this get twisted into you assuming that I wanted to make sounds on my BSP and record on it as well?
I'm not refusing to learn, megamarkd. But, there is a tendency on forums and in video tutorials to deploy techspeak on the assumption that all people are as equally well-versed as the person explaining things. I've only stated here that I am not on equal footing. I've looked at the user manual, and I still don't know what is going on. As a professional journalist and copywriter, I can't fathom how this is not explained in plain terms, or even just explained clearly right from the get-go by a technical writer. The technical writer of the BPS user manual must be an engineer tasked with writing the manual. There should be a section that clearly states how to get this set up and multi-tracked into Ableton, or any DAW for that matter. It is beyond me that this is not the case.
As I clearly stated, I want to use it to sequence external synths. To be specific, I bought it because I wanted to expand the Monologue and Minilogue's capabilities from 16 steps to 64 steps, as well as sync them to the Moog Sub 37, which already sequences in 64 steps. Now, because I have to use BSP to do this, it demands that I get those sequenced notes into Ableton Live for recording.
I know that CV is a way of controlling synths, much like MIDI. That I know. But, I don't have the granular understand of CV, and I can't magically acquire that intelligence in the space of a few days.
Back to being a journalist for a moment, because it is instructive in this case. On a routine basis I've got to explain difficult matters, and even technology like cryptocurrency or very complicated tech/art projects to readers, and it's very important to be clear and simple and not make any assumptions about the readers' level of expertise. I'm known for doing this well, both by publishers, editors, and readers. So, when I see the opposite, I know it.