In music or any creative art. "meant to be" is almost meaningless. excepting build quality, there is no such thing as a bad instrument. The idea is best expressed by Tom Rhea's phrase in the Multimoog owner's nanual. "It's not 'what will this thing do?', but 'what can I do with it?'". About a decade ago, I was at the local Salvation Army thrift store and I saw waht looked like a thick-necked banjo. The neck was a solid cylinder about 16 long covered with carpetting in a repeating pattern. It had 3 strings and a headstock with friction tuning pegs. I picked it up and started fooling with it. In about 8 minutes I had it usably tuned and the sound wasn't bad. How many guys made "cigar box" guitars, mostly to have something that would handle somewhat like the real thing?
I would say that the V-Collection is what you make it. But that was the idea behind the synthesizer where you get the "parts" of the sound and then do your thing. I like the live play aspect. Analog Lab looks like it could be the heart of an "arranger keyboard' system with the right performance software, which, now that my eyesight is coming back, I hope to build. Most of these like the Casio WK, GEM Ensemble, Genos or whateve were computerized keyboards with limited computers to cater to the musician who might be a bit tech averse. What I want to do will be use the compter balls-to-the-wall with a powerful laptop. Ableton Live Lite gives you 8 audio and midi tracks for free and Analog Lab has over 5,000 patches from the V Collection that you can madify the parameters of. The Arturia Keyboards have controllers for the parameters that are mapped and transport controllers for the DAW, which, if it is live-performance capable has all the effects you want, all in a portable package. The Genos cost $5k. You could probably build something to blow it way off the stage for about 3 if you are not scared of gietting your hands tech dirty. A decetnl yoga touchscreen laptop, if you look on ebay for "open box" or (and make sure it is just that) "FACTORY refurbished" can be had at a very good price; I've got a couple. And, when not playing live, you can get some of the older but once premium DAW's like t7, put them in the system and do some recording or Audacity and Linux Multimedia System (continuoiusly maintained for 34 years) can be used together in a complementary fashion (Audacity does not use plugin instruments and LMMS does not record externally but has instruments). Then there's always band in a box: THAT is unreal. If your SSD is too small, grab up a TB or so hcxd card "mount" it and multiply the the sisze of the SSD by putting a foulder for the card in the SSD. And who's to say you can't toss in Sfortzando or or other Aria SFZ/'SF2 engine for a sample-based drum machine
That is what the V Collection is for. And that's just me. Go through the extensive Arturia YouTube posts and see for yourself